
BIBLE REFERENCE:
But God, who is rich in mercy, for his great love wherewith he loved us, Even when we were dead in sins, hath
quickened us together with Christ, (by grace ye are saved); And hath raised us up together, and made us sit
together in heavenly places in Christ Jesus. Ephesians 2:4-6
But God commendeth his love toward us, in that, while we were yet sinners, Christ died for us. Romans 5:8
Herein is love, not that we loved God, but that he loved us, and sent his Son to be the propitiation for our sins.
1 John 4:10
But whoso keepeth his word, in him verily is the love of God perfected: hereby know we that we are in him.
1 John 2:5
The LORD hath appeared of old unto me, saying, Yea, I have loved thee with an everlasting love: therefore with
lovingkindness have I drawn thee. Jeremiah 31:3
For I am persuaded, that neither death, nor life, nor angels, nor principalities, nor powers, nor things present,
nor things to come, Nor height, nor depth, nor any other creature, shall be able to separate us from the love of
God, which is in Christ Jesus our Lord. Romans 8:38-39
Frederick Martin Lehman - Lyrics & Composer
1868-1953
Born: August 7, 1868, Mecklenburg, Schwerin, Germany.
Died: February 20, 1953, Pasadena, California.
Buried: Forest Lawn Cemetery, Glendale, California.
HYMN HISTORY:
This beloved gospel hymn has its roots in a Jewish poem, written in Germany in the eleventh century, Frederick
M. Lehman, the twentieth-century author and composer, wrote a pamphlet, in 1948, entitled “History of the
Song, The Love of God.” Portions of Mr. Lehman’s account are as follows:
While at campmeeting in a mid-western state, some fifty years ago in our early ministry, an evangelist
climaxed his message by quoting the last stanza of this song. The profound depths of the lines moved
us to preserve the words for future generations.
Not until we had come to California did this urge find fulfillment, and that at a time when circumstances
forced us to hard manual labor. One day, during short intervals of inattention to our work, we picked up
a scrap of paper and, seated upon an empty lemon box pushed against the wall, with a stub pencil,
added the (first) two stanzas and chorus of the song.
...Since the lines (3rd stanza from the Jewish poem) had been found penciled on the wall of a patient’s
room in an insane asylum after he had been carried to his grave, the general opinion was that this
inmate had written the epic in moments of sanity.
The key-stanza (Third verse) under question as to its authorship was written nearly one thousand years
ago by a Jewish songwriter, and put on the scorepage by F. M. Lehman, a Gentile songwriter, in 1917.
The Jewish poem, Hadamut, in the Aramaic language, has ninety couplets. The poem is in form of an acrostic,
with the author’s name woven into the concluding verses. It was composed, in the year 1096, by Rabbi Mayer,
son of Isaac Nehorai, who was a cantor in the city of Worms, Germany. The poem may be broken down into two
parts. In the first section, the poet praises God as the ruler of the world, the One who created all things,
including the angels, to serve Him. The poet also includes the creation of the children of Israel as God’s special
portion. In the second section, the writer describes the polemic between the nations of the world and the
chosen Jewish people. He describes how these people have been persecuted and even killed, throughout the
ages, for the sanctity of God’s Holy Name. The poem tells how the nations of the world have attempted to
influence the Jewish people to leave their religion and to cooperate with the non-Jewish majority. This the Jews
have refused to do, however believing with absolute conviction, that though this world may be one of hatred and
destruction, the world to come will vindicate them, and then all the nations of the world will know that God has
chosen Israel for His eternal glory.
The Hadamut poem also speaks of a certain miracle, which happened, about which the poet comments. There
are three opinions as to the contents of this miracle. The first opinion is that the miracle was the giving of the
Ten Commandments on Mount Sinai. Incidentally, it is for this reason that the poem is still read on the first day
of the Feast of Shavuot (Fall Harvest-Festival of Weeks, begun seven weeks after Passover) before the reading
of the Ten Commandments.
The second opinion simply states that we really cannot know with certainty, from the references, what the actual
miracle was. The third opinion believes that the miracle took place in the city of Worms, home of the rabbi-poet.
It is thought that there was a medieval, German priest who once spoke evil of the Jewish community. The king
called upon the Jews of the city to produce a representative to argue and defend themselves against the priest.
If the Jewish spokesman was successful, then the Jewish community would be spared mass genocide. But if the
anti-Jewish priest proved successful, then all of the Jewish community of Worms would be put to death. The
story has a happy ending, as the Jewish representative was successful in the defense of their faith, and the
community of Worms was spared.
Throughout the poem, the theme of God’s eternal love and concern for His people is evident. One section of
this poem, from which the present third stanza of “The Love of God” was evidently adapted, reads as follows:
Were the sky of parchment made,
A quill each reed, each twig and blade,
Could we with ink the oceans fill,
Were every man a scribe of skill,
The marvelous story
Of God’s great glory
Would still remain untold;
For He, most high
The earth and sky
Created alone of old.
Frederick Martin Lehman pastored Nazarene churches, throughout his ministry in Indiana and Illinois, before
moving to Kansas City, in 1911, where he became involved in starting the Nazarene Publishing House. His later
years were lived in California, where he died at Pasadena in 1953. Throughout his ministry, Frederick Lehman
wrote numerous poems and songs, including the publishing of five volumes of Songs That Are Different.
“The Love of God” first appeared in Volume Two of that series, in 1919, although the copyright was obtained
two years earlier. The harmonization of this gospel hymn was accomplished by Mr. Lehman’s daughter, Claudia
(Mrs. W. W. Mays, 1892-1973), who also was associated with the Nazarene Publishing House as its secretary
for a period of time.
“The Love of God” has been widely used during the past several decades as a special number by numerous
gospel musicians. It is presently being included in many of the newer evangelical hymnals as a worthy
congregational hymn.
101 More Hymn Stories by Kenneth W. Osbeck
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“If I forget,
Yet God remembers! If these hands of mine
Cease from their clinging, yet the hands divine
Hold me so firmly that I cannot fall;
And if sometimes I am too tired to call
For Him to help me, then He reads the prayer
Unspoken in my heart, and lifts my care.
“God, Thou art love! I build my faith on that.
I know Thee who has kept my path, and made
Light for me in the darkness, tempering sorrow
So that it reached me like a solemn joy;
It were too strange that I should doubt Thy love.”
Robert Browning
Dear Brothers and Sisters in Christ,
The LORD hath appeared of old unto me, saying, Yea, I have loved thee with an everlasting love: therefore with
lovingkindness have I drawn thee. Jeremiah 31:3
The thunders of the law and the terrors of judgment are all used to bring us to Christ; but the final victory is
effected by lovingkindness.
The prodigal set out to his father's house from a sense of need; but his father saw him a great way off, and
ran to meet him; so that the last steps he took towards his father's house were with the kiss still warm upon
his cheek, and the welcome still musical in his ears.
The thunders of the law and the terrors of judgment are all used to bring us to Christ; but the final victory is
effected by lovingkindness. The prodigal set out to his father's house from a sense of need; but his father
saw him a great way off, and ran to meet him; so that the last steps he took towards his father's house were
with the kiss still warm upon his cheek, and the welcome still musical in his ears.
The love of God is greater far
Than tongue or pen can ever tell;
It goes beyond the highest star,
And reaches to the lowest hell;
The guilty pair, bowed down with care,
God gave His Son to win;
His erring child He reconciled,
And pardoned from his sin.
O love of God, how rich and pure!
How measureless and strong!
It shall forevermore endure
The saints’ and angels’ song.
When years of time shall pass away,
And earthly thrones and kingdoms fall,
When men, who here refuse to pray,
On rocks and hills and mountains call,
God’s love so sure, shall still endure,
All measureless and strong;
Redeeming grace to Adam’s race—
The saints’ and angels’ song.
O love of God, how rich and pure!
How measureless and strong!
It shall forevermore endure
The saints’ and angels’ song.
Could we with ink the ocean fill,
And were the skies of parchment made,
Were every stalk on earth a quill,
And every man a scribe by trade,
To write the love of God above,
Would drain the ocean dry.
Nor could the scroll contain the whole,
Though stretched from sky to sky.
O love of God, how rich and pure!
How measureless and strong!
It shall forevermore endure
The saints’ and angels’ song.

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"Law and terrors do but harden
All the while they work alone;
But a sense of blood-bought pardon
Will dissolve a heart of stone."
The Master came one night to the door, and knocked with the iron hand of the law; the door shook and
trembled upon its hinges; but the man piled every piece of furniture which he could find against the door,
for he said, "I will not admit the man."
The Master turned away, but by-and-bye He came back, and with His own soft hand, using most that part
where the nail had penetrated, He knocked again--oh, so softly and tenderly.
This time the door did not shake, but, strange to say, it opened, and there upon his knees the once unwilling
man was found rejoicing to receive his guest. "Come in, come in; thou hast so knocked that my bowels are
moved for thee.
I could not think of thy pierced hand leaving its blood-mark on my door, and of thy going away houseless,
'Thy head filled with dew, and thy locks with the drops of the night.' I yield, I yield, Thy love has won my heart."
So in every case: lovingkindness wins the day.
What Moses with the tablets of stone could never do, Christ does with His pierced hand.
Such is the doctrine of effectual calling. Do I understand it experimentally? Can I say, "He drew me, and I
followed on, glad to confess the voice divine?"
If so, may He continue to draw me, till at last I shall sit down at the marriage supper of the Lamb.
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